Distant landscapes could be difficult to shoot. We’re all often tempted to make use of as wide a lens as possible to be able to capture a vast look at that looks great towards the naked eye, but in a picture that impressive vista may become a tiny sliver associated with interesting land with scores of dull foreground below as well as plain skies above. In this tutorial we’re shooting landscapes having a telephoto lens to be able to compress the scene.
This method may not fit in just as much of the land at either side from the frame as using the wide-angle lens would, however it will scale distant features to become more comparable, compressing hillsides and valleys together, while mist and haze will help make edges in the actual landscape look more described.
Mist gathered in the valleys between the hills will also assistance to emphasise the structure from the landscape.
This effect is actually popular with travel photographers since it enables them to include multiple landmarks inside a single frame – pictures of places like Bagan within Myanmar, with temple peaks compressed together inside a sea of mist, tend to be so familiar they’re nearly a cliché.
You may also use the same method in cities, compressing skyscrapers as well as spires, so long as possible find
a suitable vantage stage.
We used a 70-200mm f/2. 8 Nikon lens fully zoomed set for our shot, although any kind of telephoto lens should function. It’s the focal period of the lens, and your distance in the hills, that creates the actual compression effect. The lengthier the focal length, the greater pronounced the effect.
1 Wake up early
Check the forecast to try and predict when fog is probably. Keep an eye away for clear skies, chilly nights, temperature changes as well as high humidity. First thing each morning is usually the greatest time for fog. Head out well before sunrise to get set up with time for you to spare.
2 Head up high
Find the correct angle for viewing the actual landscape. Ideally you desire to be looking out over moving hills, and positioned slightly greater than the tops of the actual hills you’re photographing. We got setup below Corn Du within South Wales to shoot out over the misty lowlands below.
3 Scale to suit
Use a long zoom lens to crop in in your chosen subject. This may compress the hills as well as valleys, making them look scaled-down, and scale the entire scene to some similar size, rather compared to having, say, one small peak within the distance with a large tree within the foreground
4 Compose carefully
You don’t want in order to overpower the sky along with bright sunlight. To keep your fog clearly visible however gain the orange shine of sunrise, compose your image so the sun is just away from edge of the body, and the light leaks in with no sun itself blowing away the highlights.
5 Arranged spot metering
Put your own camera in aperture-priority setting, and use an aperture associated with f/11 or f/16 to ensure you've got a large depth of area. With spot metering chosen, expose for the water. Allow the land to become silhouetted if you need to, as all you really require would be the shapes of the hillsides.
6 Change the exposure
Review the histogram to check on that the graph includes a peak towards the right-hand aspect for very bright, whitened mist, or towards the center for grey mist (above). When the graph is in the incorrect place, or ‘clipped’ from either end, use publicity compensation to shift this left (-1EV) or correct (+1EV).
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